[vc_row][vc_column width=”1\/2″][vc_single_image image=”2350″ img_size=”large”][vc_column_text]Termin 3 lipca, godz. 19:00<\/p>\n

Miejsce: Dom Ludowy<\/p>\n

Bilety: 5 z\u0142[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”2077″ onclick=”custom_link” img_link_target=”_blank” link=”https:\/\/ekobilet.pl\/slowfest\/poleca-michal-mendyk-1559213002721\/361844-bilety-na-festiwal” css=”.vc_custom_1559339794556{background-color: #ffffff !important;}”][vc_column_text]<\/p>\n

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1. Lenar \/ Masecki \/ Zra\u0142ek: Fortepian Chopina, <\/strong>2015, 44:44<\/li>\n<\/ol>\n

   \u00a0<\/strong>Jak Warszawa pami\u0119ta, upami\u0119tnia i co robi z pami\u0119ci\u0105 o Fryderyku Chopinie? Gdzie ta pami\u0119\u0107 jest dobra, a gdzie zawodzi? O czym pami\u0119ta\u0107 nie chce, a gdzie przeradza si\u0119 w mit? Kompozycja radiowa autorstwa trzech wywodz\u0105cych si\u0119 z r\u00f3\u017cnych dziedzin sztuki warszawskich artyst\u00f3w Marcina Maseckiego, Wojtka Zra\u0142ka-Kossakowskiego i Marcina Lenarczyka to pr\u00f3ba rekonstrukcji – bo „rekonstrukcja” to najw\u0142a\u015bciwsze tu s\u0142owo – szeroko rozumianej pami\u0119ci o wielkim\/najwi\u0119kszym\/najbardziej polskim kompozytorze.<\/p>\n

   B\u0119d\u0105cy oryginaln\u0105 form\u0105 s\u0142uchowiska utw\u00f3r zaciera granice mi\u0119dzy wymiarem muzycznym, d\u017awi\u0119kowym i reporta\u017cowo-fabularnym. Wszystkie te elementy w r\u00f3wnoprawny spos\u00f3b tworz\u0105 sp\u00f3jn\u0105 – i przewrotn\u0105 – narracj\u0119: muzyczn\u0105 opowie\u009c\u0107, dokument d\u017awi\u0119kowy, kompozycj\u0119 radiow\u0105.<\/p>\n

   \n
   1. Hanna Hartman: Crat\u00e8re \/ Kratery, <\/strong>2012, 26:54<\/li>\n<\/ol>\n

      S\u0142uchowisko eksperymentalne wykorzystuj\u0105ce zapis naturalnego brzmienia krater\u00f3w.<\/p>\n

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