[vc_row][vc_column width=”1\/2″][vc_single_image image=”2698″ img_size=”large”][vc_column_text]12 lipca \/ godzina: 19:00 \/ Teatr Wierszalin \/ bilety: 50 z\u0142<\/strong>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”2077″ onclick=”custom_link” img_link_target=”_blank” link=”https:\/\/ekobilet.pl\/slowfest\/faust–nowa-historia-1559043778908\/361487-bilety-na-festiwal”][vc_column_text]Faust. Nowa historia<\/strong><\/p>\n

Teatr Wierszalin<\/strong><\/p>\n

Re\u017cyseria – Piotr Tomaszuk, scenografia – Mateusz Kasprzak, muzyka –\u00a0Adrian Jaku\u0107-\u0141ukaszewicz,\u00a0Faust –\u00a0Rafa\u0142 G\u0105sowski,\u00a0Mefistofeles –\u00a0Dariusz Matys,\u00a0Ma\u0142gorzata –\u00a0Monika Kwiatkowska,\u00a0Lilith –\u00a0Katarzyna Wolak,\u00a0Wagner –\u00a0Adam Milewski,\u00a0Anio\u0142 Str\u00f3\u017c\u00a0– <\/strong>Grzegorz Zar\u0119ba,\u00a0Anio\u0142 Str\u00f3\u017c\u00a0–<\/strong> Adrian Jaku\u0107-\u0141ukaszewicz,\u00a0Z\u0142y Duch –\u00a0Piotr Tomaszuk<\/p>\n

„Si\u0119gaj\u0105c po histori\u0119 o Fau\u015bcie Piotr Tomaszuk chce przypomnie\u0107 genez\u0119 romantycznych strace\u0144c\u00f3w, szalonych marzycieli. W literaturze nowo\u017cytnej ich pierwowzorem jest przecie\u017c Faust, przepisywany po wielokro\u0107 i rozwijany literacko \u017cywot doktora Johanna Georga Fausta. Zatem Tomaszukowi nie pozosta\u0142o nic innego, jak czerpi\u0105c ze skarbnicy tekst\u00f3w Marlowe’a, Goethego, czy Klingemanna napisa\u0107 swoj\u0105, now\u0105 histori\u0119. I jak to w Teatrze Wierszalin bywa, ta nowa historia pe\u0142na jest humoru, czasem delikatnie obsceniczna, w efekcie ukazuj\u0105ca ma\u0142o\u015b\u0107 i naiwno\u015b\u0107 pysznego uczonego, kt\u00f3ry powa\u017cy\u0142 si\u0119 paktowa\u0107 z diab\u0142em.”<\/p>\n

Jerzy Doroszkiewicz\/Kurier Poranny<\/p>\n

 <\/p>\n

Faust jest pr\u00f3b\u0105 eksploracji artystycznej rejon\u00f3w zbadanych ju\u017c przez Jerzego Grotowskiego w Teatrze 13 Rz\u0119d\u00f3w i Teatrze Laboratorium. Faust. Nowa historia<\/em>\u00a0Teatru Wierszalin pr\u00f3buje w ten spos\u00f3b nawi\u0105za\u0107 dialog z przesz\u0142o\u015bci\u0105 wskazuj\u0105c jednocze\u015bnie na wa\u017cne \u017ar\u00f3d\u0142o swoich inspiracji. Faust interesuje tw\u00f3rc\u00f3w wierszali\u0144skiego przedstawienia r\u00f3wnie\u017c w kontek\u015bcie badawczym jako PRE-KONRAD, bohater wyj\u0105tkowy i w nietzschea\u0144skim rozumieniu tego s\u0142owa – NADCZ\u0141OWIEK. Nie bez znaczenia jest przecie\u017c fakt, \u017ce Mickiewicz przed napisaniem III cz\u0119\u015bci \u201eDziad\u00f3w\u201d, w 1829 roku w Weimarze widzia\u0142 \u201eFausta\u201d Goethego na w\u0142asne oczy na deskach teatru. Nowa historia Fausta jest jednocze\u015bnie pr\u00f3b\u0105 \u201ewrzucenia\u201d tej postaci w czas tera\u017aniejszy po to, aby zada\u0107 pytanie o granice ludzkiej wolno\u015bci i cel, jaki przy\u015bwieca cz\u0142owiekowi w chwili, kiedy postanawia zaj\u0105\u0107 miejsce nale\u017cne Bogu.<\/p>\n

Faust. Nowa historia<\/em> powsta\u0142 w oparciu o teksty Ch. Marlowe’a, A.E.F. Klingemanna i J.W. Goethego w t\u0142umaczeniach Jana Kasprowicza, Edwarda Lubomirskiego i Emila 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